She's "That Japanese girl" that you're going to be hearing a lot from, soon. "Utada" is her family name, and music is the family business. Born in Manhattan to a traditional-Japanese-style-singer Mom and musician/producer Dad, she was flying frequently between New York and Tokyo before she had learned to walk. Now, 21 years old and bilingual, Utada prizes her unstable, nomadic upbringing which has instilled in her an open yet analytic mind, and the confidence to quickly adapt to any new environment. To Utada, both metropolises are home. Then perhaps the recording studio could be called her third. There she went after school to do homework, take naps under huge speakers, and watch her parents recording music. As naturally as a shoemaker's son takes up his father's tools, she composed and recorded her first song at age 11. At 13, she recorded her first solo album in English---she had written and composed most of the songs. A year later, a music producer at Toshiba EMI casually asked her if she was capable of writing Japanese songs. Her answer would become the first recording for her debut album, which has sold over 9 million copies since its release in 1999. Let me guess; that number either impressed you, or it totally turned you off with the thought that she's another one of those big foreign acts that try to break the US market and can't even cause a stir. Now, let me bet, that when you hear Utada's music, you will listen hard because it is nothing like what you expected, maybe sense a smile creeping up your cheeks, and after drawing your personal opinion, look forward with wonder to how the rest of America is going to take it. "I'm always troubled when people ask me to classify my music," says Utada. "I try to make GOOD, original music; something entertaining, different, memorable, well-crafted, and worth paying money for. Sometimes I'm as pop as The Police; sometimes as fierce as The Mars Volta, and I always, always enjoy being humorous and seductive." In Japan, Utada quickly acquired a notoriety for sparse media exposure due to academic priorities (like... high school!). She is currently on leave from Columbia University, opting the intensity of her career over campus life. "I realized that I already knew exactly what I wanted to do. And so for the first time, I consciously chose music as a full time profession. Maybe I'll go back to University when I'm a grandmother." For now she prefers doing most of her work alone with her laptop and keyboard, sequencing and arranging, composing, and writing lyrics. "When my music starts playing on airwaves and clubs, I want everybody to notice and say, 'Hey, this is that Japanese girl, right?!' " ...But how will we recognize her at first, with just her music? Take it from Utada who says, "I'll make sure that you know it's me." She once said "I don't like going to the gym because I don't like being with people I don't know an that intense environment." She says "That's like telling someone to do squats on the train." Utada's name variations have been a source of some minor confusions in the past. Her legal Japanese name is currently Hikaru Iwashita (Iwashita Hikaru), born Hikaru Utada (Utada Hikaru). The current status of her legal US name as well as the status of her US citizenship is unclear. She debuted as Cubic U in the States, but went mostly unknown during this era in her career. When she moved from the US to Japan, she made big under her homonymic stage name Hikaru Utada (Utada Hikaru), which she is still popularly known as in Japan even after her marriage. In Japan, it was known to her fans that her nickname growing up in the US was "Hikki". However, due to her immense popularity in Japan, she became better known under this nickname in Japan than in the States. Unlike most Japanese artists, she became well known in the English speaking world under the surname-first name ordering ("Utada Hikaru"), since her name has been romanized only in that order for the Japanese domestic market. After her successes in Japan, she re-entered the US market simply as Utada. On a few rare occasions, she has been credited in full on US domestic albums as either "Hikaru Utada" or "Utada Hikaru". Utada Hikaru is also known for singing the introduction songs for the Kingdom Hearts series, 'Simple and Clean' ('Hikari') for Kingdom Hearts I and 'Sanctuary' ('Passion') for Kingdom Hearts II. Utada Hikaru was born in New York City, New York to Japanese parents who both had roots in the Japanese music industry: her father, Teruzane Utada, was a producer, while her mother, Junko Utada, was an enka singer (she performed under the stage name "Keiko Fuji"). She made her first professional recording at the age of twelve, and recorded her first album, Precious, in 1996 under the pseudonym Cubic U. The album led to her career overseas. In a recent MTV interview (MTV's You Hear It First, October 2004), Utada said: "Someone in Japan heard it, at a Japanese record company, and he said, 'Oh, can't you write in Japanese? You speak Japanese.' And I didn't want to say no, so I had to try it." She is currently married to Kazuaki Kiriya, a photographer and movie director. He has directed several of her music videos, including "Final Distance", "Traveling", "Hikari", "Sakura Drops", "Deep River", "Dareka no Negai ga Kanau Koro", "You Make Me Want to Be a Man", "Be My Last", "Passion", and "Keep Tryin'". Also, "Dareka no Negai ga Kanau Koro" was played during the credits of Kiriya's directorial debut, Casshern.